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Liberator 6.3
Pharoahe Monch
Desire
(SRC)

7 years is a long time for anything. Many things can happen and change. I revisited "Internal Affairs", the 1999-soon-to-be classic release, prepping for what I thought would be the sequel. I was mistaken. Supporters will need to embrace a new earvision from Pharoahe Monch. Does Desire disappoint? Absolutely not, but it's not for the one-channeled. Desire is proof that this Pharoahe Monch contains more then Rap and Hip-Hop music. Desire is Pharoahe Monch in the present, complete tense. And on this release Pharoahe has no fear morphing from traditional Hip-Hop into Gospel, Soul, Neo-Soul, Rock and even Rockabilly. The 13 (plus a bonus) track album features production from Alchemist, Denaun Porter of D12, Black Milk, Lee Stone and Pharoahe himself. Live production all the way to the almighty Tower Of Power horn section is also utilized on a few pieces. Pharoahe has always had the ability to be a ridiculously murderous combat lyricist. Varying spaces in most songs are reserved for his reminders. On Desire, "What It Is" is his emcee choke hold: "Rap's like Star Wars only the stars die it's no sequels/ Beat-3 cases/ See 3 Po's Before Morpheus and Neo was killing 'em/ We was duckin' roulettes in the hood like Remo Will-ee-ams"; he speaks to his female counter parts in the quirky Elvis inspired "Body Baby"; "Bar Trap" is flawlessly produced and written; "So Good" is a pure romantic smoothed out joint; and "Hold on" featuring Erykah Badu is homage paid to our Grandmothers, Mothers, Sisters, and daughters who persevere in the face of immeasurable obstacles. He does not neglect the responsibility he has to his conscience and kids, referencing things that trouble him and society in "When the Gun Draws", which is a beautifully crafted narrative from the perspective of a bullet. And "Trilogy" is a dark three part song about split decisions made in the heat of a given moment that turn out to cost life, limb, tears and time as well as the cracks in the system that psychologically swallow the fatigued. As a whole, Desire is Pharoahe Monch's uncompromising celebration of Hip-Hop -- instrumentation, beat making, scratching, rhyming, story telling and singing. Honorable mentions for song vocals include Badu, Dwele and others. By keeping it personal, ultimately it's Pharoahe who has the last word: "If you suppress an idea because the hood or chicks ain't gonna feel it, that's just sad because creatively there's an unlimited number of ways to approach song writing. But Hip-Hop is so boxed-in right now."
(Gage S. Lockhart / OriginalGage)


 

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