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Mutulu Olugabala has been known to the music industry as M-1 of dead
prez. Today, after traveling the world, maturing and preparing to embark
on his solo career, he is M-1 International. Since his entry into the
game, M-1 International has grown to recognize the responsibility of his
words and their impact on his culture. Take a glimpse into the mind of
M-1 International with The Liberator and find out what inspires him to
create music.
Many have lamented that, "Revolutionaries don’t rap." These individuals
obviously do not know much about M-1 International and the life he leads
outside of rap as Mutulu Oluabala. His days of organizing with the
International Peoples Democratic Uhuru Movement, under the tutelage of
Chairman Omali (labeled as the world's leading revolutionary theorist)
has lead M-1 to a place of "overstanding" that he has a role to play in
the struggle for liberation of African People worldwide. As an organizer
in the Uhuru Movement, M-1 has been on the front line of many social
issues, including the fight for reparations, the demand to end police
brutality, the freeing of political prisoners and the linking of Blacks
and Browns across the globe to yield their political power.
Considering himself an African Internationalist--a phrase coined by
Chairman Omali--M-1 sees no boundary on his African mind. As he attempts
to be "one of the strongest brothers or sons out of the revolution" he
feels that "we have to use hip-hop as a weapon." His years of organizing
coupled with his ability to tune his ear to the pulse of the people and
understand what type of sounds they are listening to, has served as
ample ammunition to produce musical hits such as "Hip-Hop," "Turn off
the Radio" and "Psychology." Songs like these and others recorded by
dead prez had many labeling him and his partner stic.man "conscious
rappers."
M-1 has struggled with the term in part because he feels it has created
a divide between rappers such as himself, Common, Talib Kweli and
rappers like Twista or 50 Cent, when in reality they "live in the same
community and suffer the same dangers from the same enemies." In
addition to that, "the reason that I have struggles with the term
conscious is that it would imply that there are unconscious people,
true, there may be some in the world but when you are talking about hip
hop music you are talking about some of the most informed people that
there are and they are conscious of exactly what their interest are. So
they are very conscious." For M-1, it's not about conscious or
unconscious but rather where the rappers' interests lie.
M-1's interest in hip-hop rests in part on the need of the "makers and
owners" of hip-hop to take control of it. "Hip-hop is our economic
development. We are at a disadvantage because we can't take control of
the money that hip-hop generates in this economy and in the world's
economy." M-1's interest in the industry and political point of view
"doesn’t allow the media to unite" with them being that the media are
"the legs and arms of the ruling class" that he seeks freedom from. This
is fine with M-1 because he accepts that as part of doing his job. He
sees his actions as contributing to the opening of a pipeline that
up-and-coming rappers like Saigon, The DAYand K'naan, a refugee from
Somalia living in Canada who is featured on M's debut album, will need
in order to serve in the game.
M-1s forthcoming solo debut entitled "Confidential" is guaranteed to
kick down doors like police raids for all up-and-coming emcees that are
focused on using hip-hop as a tool of the revolution. The album is sure
to push the creative envelope and redefine what it means to be a
revolutionary emcee. The title, "Confidential" is inspired by the term
given to top secret documents that the U.S. government compiled against
people in the Black and Brown community. Currently you can catch M-1 on
tour with Ghostface in a hood near you. To get more info on M-1
International and dead prez you can link with M-1 on his Myspace page or
via bossupbu.com
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