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Liberator 3.4
AOM: Steven Nelson
words: Brian Kasoro
 



He really would rather be behind his pottery wheel. Or perhaps, in Mexico, Africa, Brazil, India, London, hell, even Lake Harriet. While you had a summer internship at Nabisco or the local Law Firm, Steve was probably digging holes for a landscaping company--one of those rugged artsy personalities.

But that really doesn’t explain much. It doesn’t tell you who Steve Nelson is. It may tell you some of the things he's done, or perhaps dreamt of doing. But even a person's dreams don’t contain the essence of who they are: a lot of people never see their dreams with their physical eyes.

The Liberator honors Steve Nelson as THE artist of the months of July and August. Or, more simply and plainly put, as the "Artist of the Month" (we have to come up with a more creative title don’t we). His art is creative, inspiring, free. It seems to be the result of a peaceful man, of a conscious man in a slumbering world.

Steve told me once about a conversation he had once. It dealt with privilege. Being from Minneapolis, attending South High, Steve came to understand that he was among the privileged. Because he was white? Or because he was white in Minneapolis? While studying Art at the University of Wisconsin-Stout, Steve told me that out at school, that privilege was somewhat diminished--[nearly] everyone at UW was white, including him. Who then would be the underprivileged? His point wasn’t to sell me on the idea that in an all white society the concept of a privileged group does not exist. No, he was sharing insight. Like a light bulb to him, it seemed; in Minneapolis Steve was white amongst a diverse population. Most of his crew from high school was black. When pulled over, they would tell him, "Steve you're talking to them." Race escapes the psyche when the palette is composed of only one color. Interesting.

What I notice most about Steve is a willingness to think and an unwillingness to be brainwashed or molded by conventional forces simply because they are respected by the status quo. A white man in America can choose who he is. Ultimately, a human being chooses who they are, no matter how hard or easy it may be, no matter the circumstances. And one doesn’t have to dismiss those circumstances in order to see this. Can you tell the nigga dealing crack that what he does is his fault while simultaneously having compassion on him for being a victim of outside forces? Compassion does not require one to ignore something. Can you tell the cracker who dealt niggas that what he did was his fault while having compassion on him for being the victim of outside forces or his own status quo at the time? In other words, I understand, but I still expect you to make the right choice. If you don’t make it, you will still be held accountable for your choices.

Steve chooses who he is with the choices he makes and does not make. I don’t sense self hate; I don’t sense an overzealous, perhaps false, love for the historically oppressed. I sense a man with a sense of right and wrong, and the braveness to make a genuine attempt to live accordingly. His art is an extension of that person. It strives to speak, but in eternal words, spiritual at times. But these aren't words that come from a disconnected, overly-idealistic spirit. Rather, they are connected, at times even seeking to inject an opinion on today. Does God know that the Timberwolves lost in the playoffs? I think so.

Take a look at Steve's work. It's open minded, freethinking, sometimes radical, sometimes not. It resists stagnation. If you like it, let me know, I'll put you in touch with him. He's cool people.

Most importantly, Steve Nelson is a visionary, because visionaries, like him, are always growing; they are never grown.

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