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Liberator 3.3
Andre 3000 Plays "Indian" At The Grammys
words: Susan Tallbear 
 



Over the past few months since Outkast humiliated themselves on the stage at the 2004 Grammy Awards, I being the resident native in my circle of friends have been asked numerous times what I think about “Kast’s performance.” At first I was outraged, rightly so. As a descendant of the original people of these lands I have been offended and on the defensive since the day I entered the world. There is a special kind of disregard reserved for native people in this United States of Apartheid. As we constitute one of the smallest ethnic groups in the country (the last census showed that our population is growing, however we are just 1.5% of the U.S. population) we are especially subject to ignorance. Not the same kind of racism the black community has faced since the Civil Rights Movement, the kind that went underground after it became politically incorrect for whites to openly declare their hatred for blacks. Not even close. As Indigenous people we are subjected to the kind of in-your-face degradation that has become unacceptable when directed at the nation’s largest “minority” group.

Now before I evoke anger for comparing oppression, let me say that is not my intent. In fact I am extremely uncomfortable making any kinds of comparisons between our peoples. Our histories are tragic and in many ways intertwined and should not be subjected to disrespectful conversations about who’s been fucked over more. Having said that I must point out some things that should be obvious to any conscious, thinking person. Have you ever turned on ESPN to watch the Atlanta Black Bucks playing against the Cleveland Darkies? Hell no. I am however constantly barraged with images of my people used for the commercial profit of non-native groups. Many of those sporting those fancy NFL and MLB uniforms are black men. Sure, the mascot issue is old and tired and someone out there is saying that Indian people should just get over it. Would any of you like to be categorized as a pet, something less than human? Would you like for your people to be so marginalized that you are reduced to the status of a logo on a football helmet? It is this utter disregard for a group of Human Beings, along with numerous other disrespectful images of us (Crazy Horse Malt Liquor, anyone?) that creates a climate in this country which encourages even our black brothers and sisters to disrespect us on national television.

Several weeks before the Grammys when Janet’s flash occurred at the SuperBowl, the media was going crazy about the supposed indecency of this. C’mon now, all of us have seen titties before, half of us have them. Besides if you turn on primetime TV, you know that there is so much sexual innuendo and upfront sexuality in television programming that it makes this one event seem miniscule. Yet CBS instituted for the first time in television history the five-minute delay in order to stop anything “offensive” from being aired on live television broadcasts. Anything offensive? Let’s just examine this here, anything offensive to whom? Anything offensive to uptight white Americans who are ashamed of the human body? Because I’m telling you that Outkast’s performance was far more offensive to me and to all of my people than Janet’s breast could ever be.

If you didn’t see it, it went something like this: The lights were low. A prayer from the Dine (Navajo) Nation was recited as a song sacred to the Dine people played in the background. Jack Black introduced Outkast by saying “The natives are getting restless!” As the lights came up a stereotypical tipi became visible and Andre and a couple of dancers came busting out dressed in green leather fringed outfits. The girls were dressed in typical video-ho fashion with little short skirts and cropped tops, they wore go-go “moccasins” and Big Boi was in the back with a war bonnet on. Somehow the censors did not deem this offensive and the performance was aired, ending with a standing ovation by the audience.

My first reaction was, “Oh hell no, you mean I gotta sell all my ‘kast CDs, cause they that stupid?” My second reaction was deep sadness as I was once again reminded that for the black community racism is seen in black and white terms. I could care less about how white people see us, but it is particularly disrespectful for other people of color to perpetuate these stereotypes. For Indigenous people it is still 1944 not 2004.

People, all people must realize what some of these images mean in real terms. By making fun of native people and using what are essentially cartoon images of us, it makes it okay to ignore us. It makes it easier to forget that we are the only rightful occupants of this land. It helps whites more fully realize their previous goal of terminating the American Indian. It makes Manifest Destiny manifest itself. It ignores that there are over 500 different native nations and that we all didn’t live in tipis. Big Boi’s use of a feathered war bonnet was, for lack of a better word, sacrilegious. By doing what they did, Outkast willingly participated in the centuries-old plan to marginalize Indigenous people. It was downright disrespectful and glaringly ignorant.

Please go to redvinyl.com to sign the petition that native emcee, LiteFoot has started asking that Outkast present themselves at The Gathering of Nations Celebration in Albuquerque, NM later this month to publicly apologize to Indian Country for this ridiculous performance.

One thing I can say about my people is that we are loving and forgiving. At the Native American Music Awards (NAMMYS) next year you won’t see any native Hip Hop group pull out their Porch Monkey act, but what if that did happen?

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